While researching my latest book, I've come across quite a
bit of material on the study of anatomy in the Regency era. One of my
protagonists was a surgeon and has taken up the profession of anatomist. Science and medicine at the time was on the
verge of great discoveries, but society's aversion to studying the human
body after death made it difficult for the medical community to perform their
research. During this time only the
corpses of executed criminals could be dissected for medical research. In London alone this amounted to about 50
cadavers, but demand far outweighed the supply which led to the rise of
resurrection men, or grave robbers. The
fear of grave robbers became so great in fact that families often guarded the
corpse until it was sufficiently decomposed and thus useless for
dissection. They also used Mortsafes, an
iron cage, around the coffin until decomposition occurred, but only the rich
could afford such measures.
In 1828 two infamous resurrection men, Burke and Hare,
committed at least 17 murders, selling the unusually fresh corpses to
anatomists in Scotland. Both were
arrested and executed, and ironically, Burke's body was publicly dissected in
Edinburgh, his skeleton and death mask are still on display at the Royal College of
Surgeon's museum. It wasn't until 1832
that Parliament passed the Anatomy Act, allowing the delivery of unclaimed
bodies to anatomy schools. And while
dissection was legitimized, the poor remained fearful of being snatched after
death. The study of anatomy was nothing
new during the Regency however. Leonardo
da Vinci dissected and studied around 30 corpses between 1506 and 1511. Though after his anatomist mentor died of plague
in 1511 he abandoned his anatomical project and sadly his notes and intricate
drawings remained undiscovered for centuries.
While slightly gruesome in their subject matter, these are some of my
favorite works of art.
I've always been fascinated by the study of anatomy. While in college, among the various art
classes required for my degree (Art History), I took a life drawing class. And while we sketched live models we also
examined anatomical drawings to gain a better understanding of muscles and
tendons that comprise the contours of the human form. While these drawings are somewhat macabre, I
have always found them quite beautiful in their intricacy.
During my extensive research (I perhaps got a little carried
away with this subject as I delved deeper) I came across the Anatomical Venus,
an 18th century wax figure that could be peeled away to uncover the musculature
and organs within the human body. The
most striking thing about these wax figures is not the anatomical depictions
however; it is their almost erotic poses and expressions. They were adorned with human hair and
jewelry, looking as they were in the throes of ecstasy at the moment of
dissection. So yes, they are slightly
disturbing, but beautiful none the less.
And while a knee jerk reaction might be to condemn eroticizing these
figures, at the time this would have been indicative of religious art which
often times had similar expressions depicting a sacred, mystical experience
rather than an erotic one.
I had never really thought of anatomy as an art form, but
clearly it is when you look at the plethora of works created over the
centuries. It is a true marriage of art
and science.
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